SFF daily 08

Svjetska premijera filma PRAZNIK RADA Pjera Å½alice zatvara 28. Sarajevo Film Festival / World premiere of the film MAY LABOUR DAY by Pjer Å½alica closes the 28th Sarajevo Film Festival FESTIVAL DAILY PETAK / fRIDAY 19.8.2022. ondemand.kinomeetingpoint.ba Sa ponosom predstavljamo dobitnike CineLink nagrada: NAGRADE CINELINK KOPRODUKCIJSKOG MARKETA Eurimages Co-Production Development nagrada Å¾iri Inke Van Loocke, International Film Festival Rotterdam Klaudia Åšmieja-Rostworowska, Madants Nino Kirtadze, Georgian National Film Center Anne Christine Knoth, Council of Europe - Eurimages EURIMAGES CO-PRODUCTION DEVELOPMENT NAGRADA THE BOY WITH THE LIGHT BLUE EYES ReÅ¾ija Thanassis Neofotistos Nagrada u vrijednosti od 20.000 â‚¬ EURIMAGES SPECIAL CO-PRODUCTION DEVELOPMENT NAGRADA CHERRY BLOSSOMS ReÅ¾ija Marysia Nikitiuk Nagrada u vrijednosti od 20.000 â‚¬ CineLink nagrada Filmskog Centra Srbiije i Filmskog Centra Crne Gore Å¾iri: Gordan MatiÄ‡, Film Center Serbia Aleksandra BoÅ¾oviÄ‡, Film Center Montenegro Behrooz Hashemian, Silkroad Production ÄŒedomir Kolar, A.S.A.P. Films CINELINK NAGRADA FILMSKOG CENTRA SRBIJE SKATEBOARDING IS NOT FOR GIRLS ReÅ¾ija Dina Duma Nagrada u vrijednosti od 10.000 â‚¬ CINELINK NAGRADA FILMSKOG CENTRA CRNE GORE HEAR THE YELLOW ReÅ¾ija Banu Sivaci Nagrada u vrijednosti od 10.000 â‚¬ MeÄ‘unarodna ARTEKino nagrada Å¾iri: Annamaria Lodato, ARTE France CinÃ©ma Mathilde Hersant, ARTE France CinÃ©ma Georges Goldenstern, CinÃ©fondation MEÄUNARODNA ARTEKINO NAGRADA PETTY THIEVES ReÅ¾ija Mate Ugrin Nagrada u vrijednosti od 6.000 â‚¬ Å½enski glasovi CineLink nagrada Å¾iri: NataÅ¡a BuÄar, Film Center Slovenia Boban JevtiÄ‡, Firefly Tamara Tatishvili, Focal Medici Å½ENSKI GLASOVI CINELINK NAGRADA POD POKROVITELJSTVOM SLOVENSKOG FILMSKOG CENTRA SKATEBOARDING IS NOT FOR GIRLS ReÅ¾ija Dina Duma Nagrada u vrijednosti od 10.000 â‚¬ EAVE + NAGRADA Å¾iri Titus Kreyenberg, UNAFILM EAVE + NAGRADA Oana Giurgiu CINELINK WORK IN PROGRESS NAGRADE CineLink Work In Progress Å¾iri: Vanja KaluÄ‘erÄiÄ‡, International Rotterdam Film Festival Marcin Åuczaj, New Europe Film Sales Esra Demirkiran, Turkish National Radio Television Dennis Ruh, European Film Market, PostRepublic NAGRADA TURSKE NACIONALNE RADIO-TELEVIZIJE BLAGA'S LESSONS ReÅ¾ija Stephan Komandarev Nagrada u vrijednosti od 25.000 â‚¬ POST REPUBLIC NAGRADA HESITATION WOUND ReÅ¾ija Selman Nacar Nagrada u vrijednosti od 40.000 â‚¬ u uslugama NAGRADA Å½IRIJA POD POKROVITELJSTVOM BY DEBEE STUDIJA FREEDOM ReÅ¾ija Tudor Giurgiu Nagrada u vrijednosti od 12.000 â‚¬ u uslugama CINELINK DRAMA NAGRADE Å½iri: Henning Kamm, REAL FILMA Berlin GmbH Cia EdstrÃ¶m, Goeteborg Film Festival Ognjen SviliÄiÄ‡, Croatian writer, director NAGRADA HRVATSKOG AUDIOVIZUELNOG CENTRA RUMPUS Dubravka TuriÄ‡ Nagrada u vrijednosti od 15.000 â‚¬ TV DRAMA VISION PITCH NAGRADA BROTHERS ReÅ¾ija Simon Farmakas DOCU ROUGH CUT BOUTIQUE NAGRADE Docu Rough Cut Boutique Å¾iri: Margje de Koning, Movies That Matter Hanka Kastelicova, HBO Europe Eugen Kelemen, Avanpost Catherine Le Clef, Cat&Docs Marcel Maiga, DOK Leipzig AVANPOST NAGRADA FAIRY GARDEN ReÅ¾ija GergÅ‘ SomogyvÃ¡ri Nagrada u vrijednosti od 20.000 â‚¬ u uslugama CAT&DOCS NAGRADA THE SOLDIER ReÅ¾ija Aleksandar NikoliÄ‡ Nagrada u vrijednosti od 2.000 â‚¬ HBO MAX NAGRADA FAIRY GARDEN ReÅ¾ija GergÅ‘ SomogyvÃ¡ri Nagrada u vrijednosti od 2.000 â‚¬ DOK LEIPZIG PREVIEW NAGRADA REQUIEM TO THE HOT DAYS OF SUMMER ReÅ¾ija Giorgi Parkosadze MOVIES THAT MATTER NAGRADA MY MUSLIM HUSBAND ReÅ¾ija Daniel Barnuti and Alexandra Lizeta Barnuti Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. ProslavljajuÄ‡i 20. godiÅ¡njicu, CineLink Dani filmske industrije predstavili su 46 projekata u razliÄitim formatima i fazama razvoja iz JugoistoÄne Evrope i regiona MENA Nagrade 20. CineLink Dana filmske industrije 20th CineLink Industry Days Awards Celebrating its 20th anniversary, CineLink Industry Days presented 46 projects in different formats and development stages from Southeast Europe and MENA region. We are proud to present the winners of the CineLink Awards: CINELINK CO-PRODUCTION MARKET AWARDS Eurimages Co-Production Development Award jury: Inke Van Loocke, International Film Festival Rotterdam Klaudia Åšmieja-Rostworowska, Madants Nino Kirtadze, Georgian National Film Center Anne Christine Knoth, Council of Europe - Eurimages EURIMAGES CO-PRODUCTION DEVELOPMENT AWARD THE BOY WITH THE LIGHT BLUE EYES By Thanassis Neofotistos Award in the amount of 20.000 â‚¬ EURIMAGES SPECIAL CO-PRODUCTION DEVELOPMENT AWARD CHERRY BLOSSOMS By Marysia Nikitiuk Award in the amount of 20.000 â‚¬ Film Center Serbia and Film Center Montenegro CineLink Award jury: Gordan MatiÄ‡, Film Center Serbia Aleksandra BoÅ¾oviÄ‡, Film Center Montenegro Behrooz Hashemian, Silkroad Production ÄŒedomir Kolar, A.S.A.P. Films FILM CENTER SERBIA CINELINK AWARD SKATEBOARDING IS NOT FOR GIRLS By Dina Duma Award in the amount of 10.000 â‚¬ FILM CENTER MONTENEGRO CINELINK AWARD HEAR THE YELLOW By Banu Sivaci Award in the amount of 10.000 â‚¬ ARTEKino International Prize jury: Annamaria Lodato, ARTE France CinÃ©ma Mathilde Hersant, ARTE France CinÃ©ma Georges Goldenstern, CinÃ©fondation ARTEKINO INTERNATIONAL PRIZE PETTY THIEVES By Mate Ugrin Award in the amount of 6.000 â‚¬ Female Voices CineLink Award jury: NataÅ¡a BuÄar, Film Center Slovenia Boban JevtiÄ‡, Firefly Tamara Tatishvili, Focal Medici FEMALE VOICES CINELINK AWARD SPONSORED BY SLOVENIAN FILM CENTRE SKATEBOARDING IS NOT FOR GIRLS By Dina Duma Award in the amount of 10.000 â‚¬ EAVE + AWARD jury Titus Kreyenberg, UNAFILM EAVE + AWARD Oana Giurgiu CINELINK WORK IN PROGRESS AWARDS CineLink Work In Progress jury: Vanja KaluÄ‘erÄiÄ‡, International Rotterdam Film Festival Marcin Åuczaj, New Europe Film Sales Esra Demirkiran, Turkish National Radio Television Dennis Ruh, European Film Market Deniz Erel, PostRepublic TRT AWARD BLAGA'S LESSONS by Stephan Komandarev Award in the amount of 25.000 â‚¬ POST REPUBLIC AWARD HESITATION WOUND by Selman Nacar Award in the amount of 40.000 â‚¬ in kind JURY AWARD SPONSORED BY DEBEE STUDIO FREEDOM by Tudor Giurgiu Award in the amount of 12.000 â‚¬ in kind CINELINK DRAMA AWARDS Jury: Henning Kamm, REAL FILMA Berlin GmbH Cia EdstrÃ¶m, Goeteborg Film Festival Ognjen SviliÄiÄ‡, Croatian writer, director CROATIAN AUDIOVISUAL CENTER DRAMA AWARD RUMPUS Dubravka TuriÄ‡ Award in the amount of 15.000 â‚¬ TV DRAMA VISION PITCH AWARD BROTHERS By Simon Farmakas DOCU ROUGH CUT BOUTIQUE AWARDS Docu Rough Cut Boutique jury: Margje de Koning, Movies That Matter Hanka Kastelicova, HBO Europe Eugen Kelemen, Avanpost Catherine Le Clef, Cat&Docs Marcel Maiga, DOK Leipzig AVANPOST AWARD FAIRY GARDEN by GergÅ‘ SomogyvÃ¡ri Award in the amount of 20.000 â‚¬ in kind CAT&DOCS AWARD THE SOLDIER by Aleksandar NikoliÄ‡ Award in the amount of 2.000 â‚¬ HBO MAX AWARD FAIRY GARDEN by GergÅ‘ SomogyvÃ¡ri Award in the amount of 2.000 â‚¬ DOK LEIPZIG PREVIEW AWARD REQUIEM TO THE HOT DAYS OF SUMMER by Giorgi Parkosadze MOVIES THAT MATTER AWARD MY MUSLIM HUSBAND By Daniel Barnuti and Alexandra Lizeta Barnuti. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. INTERVJU Kakav je osjeÄ‡aj imati svjetsku premijeru filma ''Praznik rada'' i ujedno time zatvoriti 28. Sarajevo Film Festival? OsjeÄ‡aj je odliÄan. Mislim da ne postoji bolje mjesto za premijeru naÅ¡eg filma nego Å¡to je to Sarajevo Film Festival. Uz to dobiti tu Äast da naÅ¡a filmska priÄa bude zavrÅ¡ni akord jedne tako lijepe i dinamiÄne kompozicije kakav je bio ovogodiÅ¡nji festival je naprosto - fantastiÄno. Å ta posebno pamtite sa Sarajevo Film Festivala? Sa naroÄitim emocijama se sjeÄ‡am prvih festivala, entuzijazma i zanosa koji je doÅ¡ao sa krajem opsade grada. Vremena kada se uÄilo kako se pravi veliki festival, kada nije bilo bitno Å¡to nema hotela ni uliÄne rasvjete, pa je, recimo, bilo normalno da Alfonso CuarÃ³n, kao gost festivala, spava kod mene kuÄ‡i. Naprosto smo uÅ¾ivali. Ne Äudi me Å¡to je festival izrastao u ono Å¡to je sada, jer je u njega uloÅ¾eno toliko ljubavi, strasti ali i ozbiljnosti i volje za uÄenjem i napretkom da je uspjeh bio neizbjeÅ¾an. Ako bih morao izdvojiti jednu stvar, to je ipak projekcija mog prvog filma 'Gori vatra' u otvorenom kinu. To je nivo uzbuÄ‘enja koje se doÅ¾ivi jednom u Å¾ivotu. Po Äemu Ä‡ete pamtiti snimanje ovog filma, Å¡ta ga je obiljeÅ¾ilo? Po divnoj saradnji sa fenomenalnom glumaÄkom ekipom, po silnoj podrÅ¡ci i razumjevanju autorskog i produkcijskog tima i po pandemiji. SnaÅ¾an, skladan tim nasuprot uporne, opasne bolesti, bila je dinamika tog snimanja. Na kraju imamo film i svi smo Å¾ivi i zdravi. Druga stvar po kojoj Ä‡u pamtiti ovo snimanje je ogromno razumijevanje stanovnika Bjelava, komÅ¡iluka u kom smo snimali. Oni su nam omoguÄ‡ili da se osjeÄ‡amo kao da snimamo u studiju, tako Å¡to su na nekoliko nedelja svoj Å¾ivot potpuno prilagodili potrebama filmske ekipe. To nije lako. Hvala im. Å ta je bila inspiracija da napravite ovaj film? Frustracija Äinjenicom da iz mog grada, moje zemlje, Å¾ivot otiÄe kao krv iz otvorene rane, a da se Å¾ivi kao da se to dogaÄ‘a nekom drugom bili su kljuÄni razlozi zaÅ¡to sam mislio da ova priÄa mora biti ispriÄana. Bilo bi lijepo snimti opuÅ¡tenu komediju ili akcionu etidu univerzalnim moralnim principima, ali danas, ovdje, to bi bilo pomalo neodgovorno, bar sa mog liÄnog aspekta. PlaÅ¡im se za nas, ne samo u Bosni, ali vjerujem da je ostalo dovoljno razuma da se uradi ispravna stvar. Jedna od prvih je pogledati istini u oÄi. Rekli ste da je muzika vaÅ¾an segment filma. Å ta Ä‡e publika Äuti i vidjeti u Prazniku rada? Iz svijeta muzike sam uÅ¡ao u svijet filma i muzika u mom radu ima posebno vaÅ¾no mjesto, kroz cijeli proces rada na filmu, ne samo u postprodukciji. Muzika ima vaÅ¾no mjesto joÅ¡ dok razvijam priÄu, piÅ¡em prve verzije scenarija. U ranoj fazi rada u projekat uvodim kompozitora, sa njim razvijam zvuk, a time i emociju filma, Å¡to je moj osnovni prostor interesa. Volim da imam song koji je vezan uz film. Tako je bilo u ranijim filmovima, pa i u ovom. Imao sam odliÄnu saradnju sa kompozitorom mlaÄ‘e generacije, Dinom Å ukalom, fantastiÄnim umjetnikom. NaroÄito mi je drago Å¡to smo imali vremena i moguÄ‡nosti da muziku snimamo 'starinski', u analognom studiju, sa divnim instrumentalistima i vokalnim solistima. Mislim da je to jako doprinijelo autentiÄnosti ambijenta i snazi emocija u filmu. Ne Äudi me Å¡to je Festival izrastao u ono Å¡to je sada Intervju sa Pjerom Å½alicom, reÅ¾iserom filma â€œPraznik radaâ€, koji ove godine zatvara 28. Sarajevo Film Festival Interview with Pjer Å½alica, director of the film "May Labor Day" which closes 28th Sarajevo Film Festival I am not surprised that the Festival evolved into what it is now INTERVIEW How does it feel to have the world premiere of the film â€œMay Labour Dayâ€ and close the 28th Sarajevo Film Festival with it? It feels great. I think that there is no better place than the SFF for the premiere of our film, plus to receive the honor of having our film narrative be the final chord of such a beautiful and dynamic composition as this year's festival is simply - fantastic. What do you remember from the Sarajevo Film Festival? It is with special emotions that I think back over the first festivals, the enthusiasm and the rapture that came with the end of the city siege. The times when one learned how to make a big festival, when it didn't matter that there were no hotels or street lights, so, for example, it was normal for Alfonso Cuaron, as a guest of the festival, to sleep at my house. We simply enjoyed ourselves. I am not surprised that the festival evolved into what it is now, because so much love, passion, but also seriousness and the will to learn and progress, have been invested in it that success was but inevitable. If I had to single out one thing, it would be the screening of my first film â€œFuseâ€ in the outdoor cinema. That is a once-in-a-lifetime level of excitement. How will you remember the making of this film, what marked it for you? The wonderful cooperation with the phenomenal cast, the immense support and understanding of the author and production team, and the pandemic. A strong, harmonious team against a persistent, dangerous disease, was the dynamic of that filming. At the end of the day, we have the film and we are all alive and well. The second thing I will remember about this filming is the huge understanding from the residents of Bjelave, the neighborhood where we were filming. They made it possible for us to feel like we were filming in a studio by adapting their lives for a few weeks completely to the needs of the film crew, which is not easy. Thanks to them indeed. What was the inspiration to make this film? Frustration with the fact that in my city, my country, life flows out like blood from an open wound, and that life goes on as if it were happening to someone else is the key reason why I thought this story must be told. It would be nice to film a relaxed comedy or an action Ã©tude with universal moral principles, but nowadays, here, it would be somewhat irresponsible, at least from my personal point of view. I fear for us, not only in Bosnia, but I believe that there is enough reason left to do the right thing. One of the first would be: to look the truth in the eye. You said that music is an important segment of the film. What is the audience about to hear and see in â€œMay Labour Dayâ€? From the world of music, I entered the world of film, and music holds a particularly important place in my work, throughout the entire process of working on a film, not only in post-production. Music has its important place already while I am developing the narrative, and writing the initial versions of the script. In the early stages of the work, I am introducing the composer to the project, alongside them I am developing the sound, and thereby also the emotion of the film, which is my basic area of interest. I love having a song that is associated with the film. That is how it was like in the earlier films, and so it is in this one as well. I had an excellent collaboration with a composer from a younger generation, Dino Å ukalo, a fantastic artist. I'm especially glad that we had the time and the opportunity to record the music the old-school way, in an analog recording studio, with wonderful instrumentalists and vocal soloists. I think that this contributed greatly to the authenticity of the setting and the power of emotions in the film. Å½IRI / JURY Å½IRI TAKMIÄŒARSKOG PROGRAMA â€“ IGRANI FILM / COMPETITION PROGRAME JURY â€“ FEATURE FILM Predsjedjednik Å¾irija / President of the Jury Sebastian Meise Reditelj, scenarist, Austrija / Director, Screenwriter, Austria Lucile HadÅ¾ihaliloviÄ‡ Rediteljica, scenaristica, producentica, Francuska / Director, Screenwriter, Producer, France Antoneta Alamat KusijanoviÄ‡ Scenaristica, rediteljica, Hrvatska, SAD / Writer-Director, Croatia, USA Milan MariÄ‡ Glumac, Srbija / Actor, Serbia Katriel Schory Producent, konsultant, Izrael / Producer, Consultant, Israel Å½IRI TAKMIÄŒARSKOG PROGRAMA â€“ DOKUMENTARNI FILM / JURY OF THE COMPETITION PROGRAMME â€“ DOCUMENTARY FILM Hilal Baydarov Reditelj, AzerbejdÅ¾an / Director, Azerbaijan Salome Jashi Rediteljica, Gruzija / Director, Georgia Margje de Koning UmjetniÄka direktorica festivala Movies that Matter, Nizozemska / Artistic Director of Movies that Matter, Netherlands Å½IRI TAKMIÄŒARSKOG PROGRAMA â€“ KRATKI FILM / COMPETITION PROGRAMME JURY â€“ SHORT FILM Ido Abram Zamjenik direktora EYE Film Filmmuseum, Nizozemska / Deputy Director of the EYE Film Filmmuseum, Netherlands Morgane Dziurla-Petit Rediteljica, Franuska / Director, France Christos Massalas Reditelj, GrÄka / Director, Greece Å½IRI TAKMIÄŒARSKOG PROGRAMA â€“ STUDENTSKI FILM / COMPETITION PROGRAMME JURRY â€“ STUDENT FILM Ludmila Cvikova Kreativna konsultantica, kustosica i savjetnica, SlovaÄka, Nizozemska / Creative consultant, curator and advisor, Slovakia/Netherlands Maya Dreifuss Rediteljica, Izrael / Director, Israel Nduka Mntambo Voditelj master studij programa za film na Nizozemskoj filmskoj akademiji, Nizozemska / Head MA of Film programme at the Netherlands Film Academy, Netherlands Å½IRI â€“ SPECIJALNA NAGRADA ZA PROMICANJE RODNE RAVNOPRAVNOSTI / JURY â€“ SPECIAL AWARD FOR PROMOTING GENDER EQUALITY Marta Popivoda Redateljica, videoumjetnica, istraÅ¾ivaÄica, Srbija / Director, video artist, researcher, Serbia Selma SpahiÄ‡ Rediteljica, Bosna i Hercegovina / Director, Bosnia and Herzegovina Miguel Valverde Producent, scenarist, Portugal / Producer, Writer, Portugal Å½IRI ZA EVROPSKI KRATKI FILM / EUROPEAN SHORT FILM JURY RÃ©ka Bucsi Redateljica, scenaristica, umjetniÄka direktorica, NjemaÄka, MaÄ‘arska / Director, Writer, Art Director, Germany, Hungary Valentina Maurel Reditelj, Kostarika / Director, Costa Rica Alban Ukaj Glumac, Bosna i Hercegovina / Actor, Bosnia and Herzegovina CICAE Å½IRI / CICAE JURY Monica Sebestyen Vlasnica i upraviteljica Cinema Artae, Rumunija / Owner and manager of Cinema Arta, Romania Tamara ViÅ¡koviÄ‡ Voditeljica Odjela za kulturu Centra za kulturu i cjeloÅ¾ivotno obrazovanje Zlatna vrata, Hrvatska / Head of Culture department of the Center for culture and lifelong education Golden Gate, Croatia Andrej Fric Predsjednik i direktor kina u Zajednici udruga Centar nezavisne culture, Hrvatska / President, cinema director at Zajednica udruga Centar nezavisne kulture CINEUROPA Å½IRI / CINEUROPA JURY FrÃ©dÃ©ric Cornet Direktor Cinema Galeries, Belgija / Director of Cinema Galeries, Belgium SaÅ¡a HajdukoviÄ‡ Reditelj, Bosna i Hercegovina / Director, Bosnia and Herzegovina NAGRADE / AWARDS ZVANIÄŒNE NAGRADE POÄŒASNO SRCE SARAJEVA Dodjeljuje se u znak priznanja za izuzetan doprinos filmskoj umjetnosti TakmiÄarski program â€“ igrani film SRCE SARAJEVA ZA NAJBOLJI IGRANI FILM NovÄanu nagradu, u iznosu od 16.000 â‚¬, sufinansira TuristiÄka zajednica kantona Sarajevo SRCE SARAJEVA ZA NAJBOLJU REÅ½IJU NovÄanu nagradu, u iznosu od 10.000 â‚¬, obezbjeÄ‘uju Ujedinjene nacije u Bosni i Hercegovini SRCE SARAJEVA ZA NAJBOLJU GLUMICU NovÄana nagrada, u iznosu 2.500 â‚¬ SRCE SARAJEVA ZA NAJBOLJEG GLUMCA NovÄana nagrada, u iznosu 2.500 â‚¬ TakmiÄarski program â€“ dokumentarni film SRCE SARAJEVA ZA NAJBOLJI DOKUMENTARNI FILM NovÄanu nagradu, u iznosu od 4.000 â‚¬, obezbjeÄ‘uje Vlada Å vicarske. SRCE SARAJEVA ZA NAJBOLJI KRATKI DOKUMENTARNI FILM NovÄana nagrada u iznosu od 2.000 â‚¬ NAGRADA ZA LJUDSKA PRAVA Nagrada za ljudska prava dodjeljuje se za najbolji film iz TakmiÄarskog programa â€“ dokumentarni film koji obraÄ‘uje tematiku ljudskih prava. Nagradu u iznosu od 3.000 â‚¬ obezbjeÄ‘uje Kraljevina Nizozemska. SPECIJALNA NAGRADA Å½IRIJA NovÄana nagrada u iznosu od 2.500 â‚¬. TakmiÄarski program â€“ kratki film SRCE SARAJEVA ZA NAJBOLJI KRATKI FILM Kvalifikacioni film za prijavu za nagradu OscarÂ® NovÄana nagrada u iznosu od 2.500 â‚¬ TakmiÄarski program â€“ studentski film SRCE SARAJEVA ZA NAJBOLJI STUDENTSKI FILM NovÄanu nagradu u iznosu od 1.000 â‚¬ obezbjeÄ‘uje VijeÄ‡e za regionalnu saradnju. SPECIJALNA NAGRADA ZA PROMICANJE RODNE RAVNOPRAVNOSTI NovÄanu nagradu u iznosu od 7.500 â‚¬ obezbjeÄ‘uje MasterCardÂ®. SRCA SARAJEVA ZA TV SERIJE UNICREDIT NAGRADA PUBLIKE PARTNERSKE NAGRADE KANDIDATURA ZA NAGRADU EVROPSKE FILMSKE AKADEMIJE U KATEGORIJI ZA NAJBOLJI KRATKI FILM Pobjednik ulazi u kandidaturu za nagradu Evropske filmske akademije za najbolji kratki film. CICAE NAGRADA MeÄ‘unarodno konfederacija umjetniÄkih kina (CICAE) nagraÄ‘uje film u selekciji TakmiÄarskog programa â€“ igrani film. NagraÄ‘eni film Ä‡e dobiti posebnu podrÅ¡ku CICAE kada je u pitanju pomoÄ‡ kod distribucije, prikazivanja filma i dopiranja do publike, putem mreÅ¾e od 3.000 kina. CINEUROPA NAGRADA Nagradu dodjeljuje Cineuropa portal posveÄ‡en europskoj kinematografiji i njenim stvaraocima i to filmu koji, osim Å¡to nesporno posjeduje umjetniÄke kvalitete, takoÄ‘er promovira ideje evropskog dijaloga i integracije. Vrijednost nagrade iznosi 5.000 â‚¬. OFFICIAL AWARDS HONORARY HEART OF SARAJEVO AWARD Given in recognition of an exceptional contribution to art of film. Competition Programme â€“ Feature Film HEART OF SARAJEVO FOR THE BEST FEATURE FILM Award in the amount of 16,000 â‚¬ co-sponsored by the Tourism Association of Canton Sarajevo. HEART OF SARAJEVO FOR THE BEST DIRECTOR Award in the amount of 10,000 â‚¬ sponsored by United Nations in Bosnia and Herzegovina. HEART OF SARAJEVO FOR THE BEST ACTRESS Award in the amount of 2,500 â‚¬ HEART OF SARAJEVO FOR THE BEST ACTOR Award in the amount of 2,500 â‚¬ Competition Programme â€“ Documentary Film HEART OF SARAJEVO FOR THE BEST DOCUMENTARY FILM Award in the amount of 4,000 â‚¬ sponsored by Government of Switzerland. HEART OF SARAJEVO FOR THE BEST SHORT DOCUMENTARY FILM Award in the amount of 2,000 â‚¬ HUMAN RIGHTS AWARD Best film of the Competition Programme â€“ Documentary Film dealing with the subject of human rights. Award in the amount of 3.000 â‚¬, sponsored by the Kingdom of the Netherlands. SPECIAL JURY AWARDS Award in the amount of 2,500 â‚¬. Competition Programme â€“ Short Film HEART OF SARAJEVO FOR THE BEST SHORT FILM OscarÂ® qualifying. Award in the amount of 2,500 â‚¬ . Competition Programme â€“ Student Film HEART OF SARAJEVO FOR THE BEST STUDENT FILM Award in the amount of 1,000 â‚¬ sponsored by Regional Cooperation Council. SPECIAL AWARD FOR PROMOTING GENDER EQUALITY Award in the amount of 7,500 â‚¬ sponsored by MasterCardÂ®. HEARTS OF SARAJEVO FOR TV SERIES UNICREDIT AUDIENCE AWARD PARTNERS' AWARDS EUROPEAN FILM ACADEMY SHORT FILM CANDIDATE The winner receives a candidature for the European Film Academy Best Short Film Award. CICAE AWARD The International Confederation of Art Cinemas (CICAE) awards a film from the Competition Programme â€“ Feature Film. The awarded film will receive CICAE support in terms of distribution, exhibition and audience outreach, through a network of 3,000 cinemas. CINEUROPA PRIZE The prize is awarded by the Cineuropa portal, the site dedicated to the European cinema and film professionals, and is given to a film that besides having indisputable artistic qualities also promotes the idea of European dialogue and integration. The value of this award us 5,000 â‚¬. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet. Dokumentarni trenuci se prepliÄ‡u sa stilski odvaÅ¾nijim sekvencama, koje kulminiraju grozniÄavo montiranim scenama koje sluÅ¾e kao prikladan muzikalni vrhunac Russoove kakofoniÄne urbane simfonije. Ovaj briljantni film postavlja pitanje da li i samo evociranje njegove atmosfere predstavlja najrealistiÄniji presjek grada u pokretu. VELIKI POKRET POSLIJE SUNÄŒANJA Samouvjeren i briljantan prvijenac Charlotte Wells, POSLIJE SUNÄŒANJA je delikatno sjeÄ‡anje na oca (Paul Mescal) njegove 11-godiÅ¡nje kÄ‡erke. Iako navodno nije autobiografski, film je toliko precizan u scenama prisjeÄ‡anja da s divnim uspjehom gradi emotivnu sponu izmeÄ‘u publike i protagonista. je dirljiva i smijeÅ¡na oda proÅ¾diruÄ‡oj i kreativnoj strasti. Ljubav prema vulkanima koju su dijelili Katia i Maurice Krafft bila je pokretaÄka sila s kojom su Å¾ivjeli i s kojom su izgubili Å¾ivot. Film je sastavljen od arhivskih snimaka njihovih istraÅ¾ivanja, a pripovijeda ga Miranda July. LJUBAVNA VATRA je debitantski dugometraÅ¾ni igrani film Biance Lucas koja je studirala u Sarajevo Film Factoryju, a smjeÅ¡ten je u Mississippi, SAD i duboko istraÅ¾uje tugu kao dio naÅ¡eg individualnog i kolektivnog identiteta. LJUBAVNI PAS Kinoscope Sam naslov posljednjeg opusa Alberta Serre prikladno sugerira misteriozno istraÅ¾ivanje polinezijskih obala iz unutraÅ¡njosti trulog jezgra francuske okupacije. Igra rijeÄi s pojmom â€œpacifikacijaâ€ (umirivanje), koji znaÄi uspostavu mira putem deklaracije ili mirovnog sporazuma, PACIFIKCIJA je briljantan film koji svojim tempom razvija priÄu na vrlo neobiÄan naÄin. NEMIRI NA OSTRVIMA Natalia LÃ³pez Gallardo, koja je radila kao urednica sa Amatom Escalanteom, Lisandrom Alonsom i Carlosom Reygadasom, donosi nam impresivan prvijenac o gubitku i traumi u korumpiranom meksiÄkom druÅ¡tvu, gdje se duh nasilja guÅ¡i u svojoj sveprisutnosti. Film je ove godine osvojio nagradu Å¾irija Srebrni medvjed na Berlinaleu. OGRTAÄŒ OD DRAGULJA OdvaÅ¾ni prvi film kostarikanske redateljice Valentine Maurel je brilijantna priÄa o odrastanju koju intenzivno i istinski pokreÄ‡e njena protagonistica, dijete koje prerasta u Å¾enu ali je ipak odraslije od odraslih koji je okruÅ¾uju. Mlada glumica u ovom filmu je zapanjujuÄ‡a, prikazujuÄ‡i cijelu jednu kompleksnu panoramu ljudskog ponaÅ¡anja i emocija. SANJAM ELEKTRIÄŒNE SNOVE se igra sa pravilima jedinstva vremena i mjesta u tuniÅ¡kom voÄ‡njaku u tiho majstorskom igranom prvijencu Erige Sehiri. U scenama posveÄ‡enim sitnim trenucima romantiÄnog nadanja i surove stvarnosti u radnom danu mladih beraÄa voÄ‡a Sane i Meleka, film prerasta u suptilnu priÄu o radosnoj zajednici. POD STABLIMA SMOKVE SmjeÅ¡ten u JuÅ¾noj Dakoti u indijanskom rezervatu Pine Ridge, RATNI PONI osvojio je Camera d'Or na nedavno odrÅ¾anom filmskom festivalu u Cannesu. Debitantski dugometraÅ¾ni film nekadaÅ¡njeg glumca a sada reditelja Riley Keougha i Gine Gammell je dirljiva priÄa u Äijem su kreativnom stvaranju uÄestvovali svi neprofesionalni glumci, puÅ¡tajuÄ‡i priÄu da izraste iz moÄ‡i njihovih vlastitih Å¾ivota. RATNI PONI NagraÄ‘en glavnom nagradom u Un Certain Regard programu u Cannesu, NAJGORI predstavlja temeljno preispitivanje kinematografije ne samo kao umjetniÄke forme veÄ‡ i iz perspektive samog kreativnog procesa i druÅ¡tvene odgovornosti u istom. Film poÄinje intervjuima s Äetvoro djece prilikom kastinga u siromaÅ¡nom radniÄkom kvartu i istraÅ¾uje ulogu koju taj film u nastajanju ima za tu djecu, kao i Å¡ta film Äini njima i njihovim Å¾ivotima. NAJGORI U svom najnovijem filmu, David Cronenberg nam donosi joÅ¡ jedno zapanjujuÄ‡e ostvarenje u kojem glavne uloge igraju Viggo Mortensen, Lea Seydoux i Kristen Stewart. U distopijskom svijetu na granici apokaliptiÄnog, par umjetnika za svoju publiku izvodi performanse koji su zapravo operacije. Radi se o mraÄnom filmu o Å¾elji i smrti, bolu i zadovoljstvu, transformaciji i transcendenciji i joÅ¡ mnogo Äemu. ZLOÄŒINI IZ BUDUÄ†NOSTI KINOSCOPE SURREAL A Å¡ta da su gljive buduÄ‡nost ÄovjeÄanstva? Debitantski dugometraÅ¾ni igrani film Parka Syeyounga, 26-godiÅ¡njeg autora sa zanimljivim i originalnim vizuelnim stilom, nije niÅ¡ta drugo nego jedinstveno iskustvo i istinsko filmsko otkriÄ‡e. PETI GRUDNI PRÅ LJEN je finski tjelesni horor film. Brutalan i elegantno izraÄ‘en, besprijekorno povezuje elemente psiholoÅ¡kog horora s nekonvencionalnom priÄom o stvoru, Å¡to rezultira jednim od najneobiÄnijih doÅ¾ivljaja koje smo mogli vidjeti u posljednje vrijeme. IZLIJEGANJE HUESERA Predstavljen na nedavnom Tribeca film festivalu, HUESERA je dirljiv i uznemirujuÄ‡i dugometraÅ¾ni igrani prvijenac meksiÄke redateljice Michelle Garze Cervere. Ova noÄ‡na mora od kostolomnog tjelesnog horora je putovanje kroz mraÄne strane majÄinstva, sa feministiÄkom perspektivom. Kinoscope An assured and brilliant debut by Charlotte Wells, AFTERSUN is a delicate recollection of a father (Paul Mescal) by his 11 year old daughter. Although said not to be auto-biographical, the film is so precise in its scenes of memories, it succeeds beautifully in creating an emotional bond between the audience and its protagonists. AFTERSUN Documentary-style moments intertwine with more stylistically daring sequences, which culminate in scenes of feverish editing that serve as a fitting musically-inflected climax to Russoâ€™s cacophonous urban symphony. This brilliant film asks if evoking its atmosphere alone offers the most realistic snapshot of a city in motion. EL GRAN MOVIMIENTO is a touching and funny ode to a devouring and creative passion. The love of volcanoes shared by Katia and Maurice Krafft has been the driving force around which they lived and lost their life. The film is made up of archival images from their explorations and is narrated by Miranda July. FIRES OF LOVE is the debut feature from Bianca Lucas, who studied at the Sarajevo Film Factory, and itâ€™s set in Mississippi, USA, while profoundly exploring grief as a part of our individual and collective identity. LOVE DOG The title alone of Albert Serraâ€™s latest opus aptly suggests the filmâ€™s mysterious exploration of the Polynesian shores from inside the rotten core of Franceâ€™s occupation. A play on the word â€œpacificationâ€, which is the restoration of peace through a declaration or peace treaty, PACIFICTION is a brilliant film whose pacing develops the narrative in a very unusual way. PACIFICTION Natalia LÃ³pez Gallardo, who has worked as an editor with Amat Escalante, Lisandro Alonso and Carlos Reygadas, delivers an impressive debut feature about loss and trauma in corrupted Mexican society, where the specter of violence is suffocating in its omnipresence. The film won the Silver Bear Jury Prize at Berlinale this year. ROBE OF GEMS The daring first film of Costa Rican director Valentina Maurel is a brilliant coming of age story intensely and genuinely driven by its protagonist, who is a child becoming a woman, yet more adult than the adults surrounding her. The filmâ€™s young actress is stunning, carrying this complex tableau of human behavior and emotions. TENGO SUENOS ELECTRICOS plays with the rules of unity of time and place in a Tunisian orchard in Erige Sehiriâ€™s quietly masterful feature fiction debut. In sequences that center on small moments of romantic possibility and harsh reality in a working day of the young fruit pickers Sana and Melek, the film expands into a subtle tale of joyful community. UNDER THE FIG TREES Set in South Dakota in the Pine Ridge Native American reservation, WAR PONY scooped the Camera dâ€™Or at the recent Cannes Film Festival. The debut feature of actor-turned-director Riley Keough and Gina Gammell is a heartfelt story whose creative process involved all its non-professional actors, letting the story grow from the power of their own lives. WAR PONY Awarded the main prize in Cannes Un Certain Regard, THE WORST ONES is a profound reflection on cinema, not only as an art form but also from the perspective of the creative process itself and its social responsibility. The film starts with interviews of four kids at a casting session in a working class, underprivileged area and investigates the role that the film-in-the-making has for these kids, as well as what the film does to them and their lives. THE WORST ONES In his latest film David Cronenberg delivers another mind-and-body-bender starring Viggo Mortensen, Lea Seydoux and Kristen Stewart. In a dystopian world nearing the apocalyptic, an artist coupleâ€™s performances are the surgeries they carry out for their audience. This is a shadowy film about desire and death, pain and pleasure, transformation and transcendence, and much more. CRIMES OF THE FUTURE KINOSCOPE SURREAL And if mushrooms were the future of mankind? The debut feature of Park Syeyoung, a 26-year-old filmmaker with an arresting and original visual style is nothing but a purely unique experience, a truly cinematic revelation. THE FIFTH THORACIC VERTEBRA is a Finnish body horror film. Brutal and elegantly crafted, it seamlessly meshes psychological horror with an unconventional creature feature, resulting in one of the most unique viewing experiences of recent memory. HATCHING HUESERA Unveiled at the recent Tribeca Film Festival, HUESERA is the poignant and unsettling feature debut from Mexican filmmaker Michelle Garza Cervera. A bone-breaking body horror nightmare, itâ€™s a journey through the dark sides of motherhood with a feminist perspective. Rumunski film ÄŒUDO, inaÄe treÄ‡i film reditelja Bogdana Georgea Apetrija, premijerno je prikazan na filmskom festivalu u Veneciji proÅ¡le godine. Film dijeli osnovne odlike rumunskog novog talasa, postavljene u Å¾anr detektivske priÄa koja se razvija od sasvim obiÄne dramske situacije. Ovo je mraÄni protret druÅ¡tva sa dugim i digresivnim razogovorima meÄ‘u likovima, ali istovremeno i kriminalistiÄka drama u kojoj jedan detektiv pokuÅ¡ava da istraÅ¾i sluÄaj silovanja. ÄŒUDO Debitant Christos Massalas predstavlja nam svoj film BROADWAY koji je premijerno prikazan na filmskom festivalu u Rotterdamu, a koji se poigrava sa kodovima trilera, mjuzikla i socijalne drame. Radnja filma smjeÅ¡tena je u Atini usred ekonomske krize, a film je zabavno ali okrutno ogledalo savremenog druÅ¡tva. Film je hibridna mjeÅ¡avina energiÄne priÄe, neobiÄnog film noira, u Äijem srediÅ¡tu je ljubavna priÄa, ali i priÄa o slobodi. BROADWAY U filmu GENTLE, maÄ‘arskog rediteljskog dvojca Anne Eszter Nemes i LÃ¡szlÃ³a Csuja, glavna junakinja je bodibilderska Å¡ampionka koja nas magnetiÄno uvodi u svijet miÅ¡iÄ‡a i snage. U svijetu elitnog Å¾enskog bodibildinga, postoji prostor za njeÅ¾nost, a upravo tu stranu glavne junakinje Edine upoznajemo tokom njenih priprema za natjecanje. Njena potraga za nemoguÄ‡im tijelom ugrozit Ä‡e njenu slobodu, a to Ä‡e tek spoznati kada se otisne u svijet eskorta da bi zaradila novac za svoju strast. Film je premijerno prikazan na filmskom festivalu u Sundanceu, a nakon toga i na festivalu u Berlinu. GENTLE Na filmskom festivalu u Berlinu u glavnoj konkurenciji naÅ¡ao se i novi film kultnog austrijskog reditelja Urlicha Seidla RIMINI. Seidl ovaj put donosi priÄu o starenju kroz taÄku glediÅ¡ta ostarjelog hotelskog pjevaÄa koji je karijeru ostvario pjevajuÄ‡i njemaÄkim i austrijskim turistima po hotelima Riminija, a sanjajuÄ‡i o karijeri velike zvijezde. Glavni junak Ritchie Bravo nije samo pjevaÄ, on je i Å¾igolo, dok takoÄ‘er i iznajmljuje svoju kuÄ‡u turistima oslanjajuÄ‡i se na svoju staru slavu pjevaÄa pop balada. U ovom filmu Seidl iznenaÄ‘uje emocijama jer se ne libi pribliÅ¾iti glavnom junaku koji je drag baÅ¡ onoliko koliko i iritantan. RIMINI U fokusu U Fokusu Romania's MIRACLE, the third film by director Bogdan George Apetri, premiered at the Venice Film Festival last year. The film shares the basic features of Romania's new wave, set in the genre of a detective story evolving from an ordinary dramatic situation. This is a dark portrait of a society with long and digressive conversations between characters, but at the same time a criminal drama in which a detective tries to investigate a rape case. MIRACLE Debutante Christos Massalas presents his film BROADWAY, which premiered at the Rotterdam Film Festival and plays with the codes of thrillers, musicals and social drama. The film is set in Athens in the midst of an economic crisis, and the film is a fun but cruel mirror of contemporary society. The film is a hybrid mixture of an energetic story, an unusual film noir, centered on a love story, but also the story of freedom. BROADWAY In the film GENTLE, directed by the Hungarian duo Anna Eszter Nemes and LÃ¡szlÃ³ Csuja, the main heroine is a bodybuilding champion who magnetically introduces us to the world of muscles and strength. In the world of elite female bodybuilding, there is room for tenderness, and this is exactly the side of Edina's main character we meet during her preparations for the competition. Her pursuit of an impossible body will jeopardize her freedom, and she will know that only when she enters the world of escorts to earn money for her passion. The film premiered at the Sundance Film Festival, followed by the Berlin Film Festival. GENTLE The Berlin Film Festival also featured a new film in the main roster by the cult Austrian director Urlich Seidl RIMINI. This time Seidl brings the story of aging through the point of view of an aging hotel singer who has made his career singing to German and Austrian tourists in Rimini's hotels, and dreaming of a career as a big star. The main hero Ritchie Bravo is not only a singer, he is also a gigolo, while he also rents his house to tourists relying on his old fame as a pop ballad singer. In this film, Seidl surprises with emotions because he does not want to get close to the main character who is as nice as he is annoying. RIMINI In focus In Focus U promet puÅ¡ten prvi pametni reciklomat u BiH Predsjednik TuristiÄke zajednice Kantona Sarajevo Kenan Magoda sa partnerima projekta â€žReciklomatâ€œ - Sarajevo Film Festival, Pomozi.ba, KJKP Rad i KJKP Park pustili su u promet prvi pametni reciklomati ispred Doma oruÅ¾anih snaga BiH u Sarajevu. U promet su juÄer puÅ¡tena tri reciklomata: poÄetni cilj je iskoristiti 10.000 boca za vrijeme Sarajevo Film Festivala, jer upravo je to vrijeme kada je najveÄ‡a posjeta turista u gradu. â€œRadimo na promociji Sarajeva kao ekoloÅ¡ki osvjeÅ¡tenog grada, te Ä‡emo nastaviti pratiti svjetske ekoloÅ¡ke trendoveâ€œ, kazao je Magoda. Za vrijeme trajanja Sarajevo Film Festivala reciklaÅ¾om je moguÄ‡e dobiti ulaznice za filmske projekcije, ali i pomoÄ‡i socijalno potrebnim stanovnicima u cijeloj Bosni i Hercegovini birajuÄ‡i opciju donacije Pomozi.ba koja je ukljuÄena u proces reciklaÅ¾e. Recikiranje je vrlo jednostavno buduÄ‡i da se radi o pametnim ureÄ‘ajima koji prepoznaju ambalaÅ¾u, vrÅ¡e sortiranje te preciziraju donaciju. Nakon zavrÅ¡etka Sarajevo Film Festivala, pored humaninarne opcije za UdruÅ¾enje Pomozi.ba, reciklaÅ¾om Ä‡e se moÄ‡i ostvariti pogodnosti poput besplatnog parkinga na mjestima kojima upravlja preduzuÄ‡e Rad, te pogodnosti na zabavnom centru Pionirske doline kojom upravlja preduzeÄ‡e Park. U planu je postavka reciklomata u Sarajevo City Centru i Grand Centru IlidÅ¾a a poziv je otvoren i za ostale druÅ¡tveno odgovorne kompanije iz javnog i privatnog sektora koji su spremni za iskorak u podizanju ekoloÅ¡ke svijesti, oÄuvanju i zaÅ¡titi Å¾ivotne sredine da budu dio ovog projekta. GraÄ‘ane i turiste pozivamo da aktivno uÄestvuju u recikliranju otpada u cilju poboljÅ¡anja ÄistoÄ‡e grada, daju doprinost u humanitarnim akcijama ali i ostvare pogodnosti pri koriÅ¡tenju usluga partnera ovog projekta. First smart recycle vending machine released in BiH President of the Tourist Board of Sarajevo Canton Kenan Magoda and partners of the project "Reciklomat" - Sarajevo Film Festival, Pomozi.ba, KJKP Rad and KJKP Park, released the first smart recycle vending machine /orig. reciklomat/ in front of the Army Hall BiH /orig. Dom oruÅ¾anih snaga BiH/ in Sarajevo. Three smart recycle vending machines were released yesterday: the initial goal is to use 10,000 bottles during the Sarajevo Film Festival, because that is the time when most tourists visit the city. "We are working to promote Sarajevo as an environmentally conscious city, and we will continue to monitor global environmental trends," Magoda said. During the Sarajevo Film Festival, it is possible to get tickets for film screenings by recycling, but also to help welfare residents throughout Bosnia and Herzegovina by choosing the option of donating via Pomozi.ba which is included in the recycling process. Recycling is very simple because these are smart devices that recognize the packaging, perform sorting and specify the donation. After the end of Sarajevo Film Festival, in addition to the humanistic option via the Association Pomozi.ba, by recycling you will be able to obtain benefits such as free parking in places managed by the company Rad, and benefits at the entertainment center of the Pioneer Valley managed by the company Park. The plan is to set up recycle vending machines in Sarajevo City Center and Grand Center IlidÅ¾a, and the invitation is also open to other socially responsible companies from both public and private sectors that are ready to take a step forward in raising environmental awareness, preserving and protecting the environment to be part of this project. We invite citizens and tourists to actively participate in the recycling of waste in order to improve the cleanliness of the city, contribute to humanitarian campaigns, but also to benefit from the services of the partners of this project. Foto galerija / Photo gallery Masterclass sa Jasmilom Å½baniÄ‡ /â€¨Masterclass with Jasmila Å½baniÄ‡ ViÅ¡e fotografija moÅ¾ete pronaÄ‡i OVDJE. More festival photos you can find HERE. Dodjela Nagrada 20. CineLink Dana filmske industrije / 20th CineLink Industry Days Awards Galeb NikaÄeviÄ‡, Ljetno kino Coca-Cola / Galeb NikaÄeviÄ‡, Coca-Cola Open Air Ekipa filma Serviam - Ja Ä‡u sluÅ¾iti /â€¨Crew: Serviam - I Will Serve Press konferencija Mama i tata se igraju rata 2â€¨Press Conference with the Crew of the TV Series Mum and Dad are Playing War 2